Cantos Cautivos
46 results where found for «To my Little Dove»
- Music piece by:Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
- Testimony by:David Quintana García
- Experience in:Cárcel de Rancagua, 1974 - 1975
- Tags:
- « On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on
11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »- [...]
- « For the 18th of September, we did a fonda. Personally, I asked that they sing ‘A mi palomita’, as I knew that they played that song. The intention was to spread the message that four generals had stolen democracy, through the verse ‘four strangers have stolen my little dove’. »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
- [...]
- « Open for me the little fence, little fence, little fence »
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- Music piece by:lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
- [...]
- « Open for me the little fence, little fence, little fence »
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- Music piece by:René “Popeye” Cárdenas Eugenin
- Testimony by:María Soledad Ruiz Ovando
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
- [...]
- « Thus, the granddaughter and the great-granddaughter of ‘El Negro Ruiz’ sing together 'Let's break the morning with our heart...', and little by little they become acquainted with a story that they will undoubtedly teach to the future members of the family. »
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- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
- [...]
- « As human beings are never that strict, during the working hours and when we lacked newspapers, we would sing. And little by little, and through repetition, we would learn and grow fond of the lyrics. »
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- Music piece by:Hamlet Lima Quintana
- Testimony by:Ana María Jiménez
- Experience in:Villa Grimaldi, April 1975
- Tags:
- « I want to recall a night at Villa Grimaldi. »
- [...]
- « 'My voice will break the afternoon until the echo of yesterday /Little by little I am alone my at the end / Dying of thirst, tired of walking / But I continue to grow in the sun, renewed...' »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
- [...]
- « Breadcrumbs (migas de pan): These were the raw material we used in the interrogation centres for sculpting little figurines. This activity was important to keep the prisoners' minds occupied. In situations of extreme solitary confinement, when all contact with the outside world had been cut off, prisoners used these figurines to build a tiny bridge of communication with their fellow prisoners. A person in solitary confinement would place the figurine where others could see it, leaving leave a sign life. »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on
11 September 1973 ), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »- [...]
- « Augusto the dog, a little dog without a master »
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- Music piece by:Pedro Humire Loredo
- Testimony by:Pedro Humire Loredo
- Experience in:Tenencia de Carabineros Nueva España, Población San Gregorio, September 1973
- Tags:
- « This
tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »- [...]
- « Little bird of the prison »
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- Music piece by:Roberto Carlos
- Testimony by:Pedro Mella Contreras
- Experience in:Recinto CNI calle Pérez Rosales 764, Valdivia, September 1986
- « This
- « Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on
- « On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on