27 results where found for «Villa Grimaldi»


Captive Quena (Quena cautiva)

Music piece by:
Claudio Durán Pardo
Testimony by:
Claudio Enrique Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
« At 18, and still legally a minor, I was kidnapped, tortured in Villa Grimaldi, and then thrown into the illegal detention camps run by Pinochet’s military dictatorship. »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Music piece by:
Nydia Caro and Ricardo Ceratto
Testimony by:
Ángeles Álvarez Cárdenas
Experience in:
Villa Grimaldi, 6 - 15 January 1975
« At that time, many prisoners were subjected to extreme torture in the interrogations. Some managed to get through those processes alright, while others broke down. »
[...]
« Villa Grimaldi »
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Zamba of my Hope (Zamba de mi esperanza)

Music piece by:
Luis H. Profili
Testimony by:
Edgardo Carabantes Olivares
« Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
[...]
« A month later, on 20 February 1975, Horacio along with other inmates – male and female – disappeared from Villa Grimaldi, in Santiago, after being passed around different clandestine detention centres. He had recently turned 22 years old. »
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The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
«  Former water tank in Villa Grimaldi, where brutal torture was applied. Many detained-disappeared were last seen alive there. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
« The Good Shepherd Prison wasn’t a torture centre like Villa Grimaldi, Venda Sexy or other detention centres. For me, the simple fact of being a prisoner was torture enough. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Music piece by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
« The cueca chora is nice and has a different type of dance. A short while ago I went to an event at Villa Grimaldi and the group Las Pecadoras sang cuecas choras. Those were really good. »
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Recinto: Villa Grimaldi
There are 4 testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!

Song of the Disappeared (Canción del desaparecido)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. »
[...]
« Many of these people had been in prison with me in the dungeons of Villa Grimaldi. This song was sung in a cell of Valparaíso Jail with one comrade keeping watch next to the door in case a prison guard approached. »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Renato Alvarado
« I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. »
[...]
« Because I had the highest “rank” among those involved, I was given several days’ stay in the gap under the basement stairs, with the right to daily beatings and a subsequent transfer to Villa Grimaldi so they could continue to punish me there. »
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