Cantos Cautivos

30 results where found for «Ana María Jiménez»

The Internationale

Music piece by:

Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.

Testimony by:

Ana María Jiménez

Experience in:

Villa Grimaldi, April 1975

Tags:

« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »

[...]

« Ana María Jiménez »

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Words for Julia (Palabras para Julia)

Music piece by:

José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)

Testimony by:

Amelia Negrón

Experience in:

Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos

Tags:

« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »

[...]

« Ana María Jiménez »

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Zamba so as Not to Die (Zamba para no morir)

Music piece by:

Hamlet Lima Quintana

Testimony by:

Ana María Jiménez

Experience in:

Villa Grimaldi, April 1975

Tags:

« I want to recall a night at Villa Grimaldi. »

[...]

« Ana María Jiménez »

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The Clock (El reloj)

Music piece by:

Roberto Cantoral

Testimony by:

Ana María Arenas

Experience in:

Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974

Tags:

« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »

[...]

« Ana María Arenas »

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Song to the Pampa (Canto a la pampa)

Music piece by:

poem by Francisco Pezoa Astudillo set to music by Quilapayún

Testimony by:

Renato Alvarado

Experience in:

Campamento de Prisioneros Cuatro Álamos, February 1975

Tags:

« The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »

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Recinto: Comisaría de Carabineros Nº 21, José María Caro (actual Comisaría de Carabineros Nº 11, José María Caro)

There are no testimonies about this detention centre.