Cantos Cautivos
179 results where found for «The Brief Space Where You Are Absent»
The Brief Space Where You Are Absent (El breve espacio en que no estás)
- Music piece by:Pablo Milanés
- Testimony by:Pedro Mella Contreras
- Experience in:
- Tags:
- « In the Penitentiary, we listened to the song 'The Brief Space Where You Are Absent' on the radio stations Aurora and Nuevo Mundo. »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)
- Music piece by:Pablo Milanés
- Testimony by:Vilma Rojas Toledo
- Experience in:Cárcel de Coronel, 1986 - 1988
- Tags:
- « I recall that during my time as a political prisoner,
Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. »- [...]
- « Personally, I remember the song 'El breve espacio en que no estás' ('The brief space where you are absent') because it sparked such heated debate among my comrades that you would think we were trying to resolve a vital political issue. »
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- Music piece by:original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 31 December 1975
- Tags:
- « Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
- [...]
- « We absolutely could not allow ourselves to be depressed; we were so happy on those few visit days. We would be able to touch them, smell them, hug them, give them our affection, give them the gifts we had made for them, hear the news, the latest rumours about releases from prison. There were so many things we wanted to do with them and the time together would be so brief! »
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- Music piece by:Luis Advis
- Testimony by:Alfonso Padilla
- Experience in:
- Tags:
- « Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
- [...]
- « Nevertheless, my knowledge was rudimentary so the notation was imprecise; the worst example is the prelude, which is in 3/4 and I wrote in 4/4. (On the Quilapayún recording there are rhythmic parts that are not 100% fixed, there is some improvisation, or rather, they used a freer agogic for brief periods. All this is normal in traditional and popular music.) »
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Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974
- Tags:
- « When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
- [...]
- « Since I used to sleep with her curled up in a 'spoon' at the head of the bed – while another person slept at the foot - I sometimes felt the slight movements and small kicks of the baby she was carrying against my back. These brief moments of life passing between entwined bodies are some of the most powerful experiences I have ever had. »
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- Music piece by:Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
- [...]
- « I must say it brought me brief moments of peace and pleasure among all the horror, at a time when torture and murder were a daily occurrence. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « This song is dedicated to Graciela Navarro, who managed to make my prisoner's life more beautiful on the days we were allowed to receive visitors. »
- [...]
- « During the week, when the hourly monotony became unbearable, she would use her free moments to deliver roses and brief love letters for me at the prison gate. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
- [...]
- « Our friendship was brief but very intense. Several times, in the middle of a serious conversation he would disconnect and climb aboard an imaginary boat called El Supertricio and he would invite me to sail with him through the kingdom of his imagination. At such moments, I was able to forget that I was in prison. »
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- Music piece by:Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
- Testimony by:Víctor Canto Fuenzalida
- Experience in:Campamento de Prisioneros Chacabuco, June 1974
- Tags:
- « Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
- [...]
- « No one could be oblivious to his presence. Just a greeting from Filistoque enlivened the streets of Chacabuco. A figure like him deserved a cueca of his own. Cheers to you, dear comrade, wherever you are. »
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- Music piece by:Fernando Z. Maldonado. Popularised by Vicente Fernández
- Testimony by:Jorge Montealegre Iturra
- Experience in:
- « I recall that during my time as a political prisoner,