156 results where found for «Casida of the Dark Pigeons»


Casida of the Dark Pigeons (Casida de las palomas oscuras)

Music piece by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« Casida of the Dark Pigeons (Casida de las palomas oscuras) »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« After dark, they brought more detainees and then proceeded to brutally beat them up. I heard the police tell these prisoners that they had to take them into the neighbourhood and show them where the other upelientos or leaders were. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« 'Quick - if they dry out they'll be useless, and once the sun sets, I’ll be in the dark', he might have thought. »
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Dreams of my Imprisonment (Sueños de mi encierro)

Music piece by:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Experience in:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family. »
[...]
« they wake me up on this dark night »
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Return, Return (Volver, volver)

Music piece by:
Fernando Z. Maldonado. Popularised by Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
[...]
« Back then, when he performed on the prison camp stage, he sang it mischievously and a sense of dark humour. This was expressed not only because of the real possibility of returning to the prison, but also by the gestures he made when singing 'Voy camino a la locura y aunque todo me tortura…' ('I’m on the road to madness and still everything tortures me...'). »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
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Fifth Symphony

Music piece by:
Ludwig van Beethoven
Testimony by:
anonymous
Experience in:
« I like all classical music, particularly Beethoven and Mozart. I listen to it all day on Radio Esperanza, on the bus I drive. The passengers like it. »
[...]
« I think that perhaps there was a subliminal message behind the use of these works. I see it as a form of intimidation, perhaps because of the dark and dense atmosphere that this music can sometimes have. »
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Friend (Amiga)

Music piece by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« There is no darker night than this night »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
[...]
« We absolutely could not allow ourselves to be depressed; we were so happy on those few visit days. We would be able to touch them, smell them, hug them, give them our affection, give them the gifts we had made for them, hear the news, the latest rumours about releases from prison. There were so many things we wanted to do with them and the time together would be so brief! »
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Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
[...]
« The song that finally sealed that profound reunion was a “tacit song” written by all the comrades present at that moment, while the men held their fists high, eyes gazing straight ahead, firm, expectant, and trembling behind the fence, observing how their daughters, wives, girlfriends, sisters, mothers - their women- took flight with their own fists held high, wails suppressed in their throats. »
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