Cantos Cautivos
Tacit Song (Canción tácita)
- Music piece by:All the women present at that moment in Chacabuco
- Testimony by:Mónica García Cuadra
- Experience in:Campamento de Prisioneros Chacabuco, Summer of 1974
I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity.
To get to Chacabuco, we must cross many obstacles alongside so many other women, and I am anxious to embrace my beloved father. Holding my mother's hand and in the company of many other women, we waited under the desert sun and wind that carried stories from the past as we beat our brows to engrave that moment into our memory.
From the guard tower, the order was given for the comrades to come, and they appeared behind the bars that separated our lives, but never our purpose and meaning in life. With heartache and streaming tears, several prisoners began to appear, as well as the love and silent solidarity that vibrated and pulsated through those moments waiting for, anticipating the embrace, the looking directly into his eyes, making contact with the loved one’s heart, the touch of skin against skin among equals.
The song that finally sealed that profound reunion was a “tacit song” written by all the comrades present at that moment, while the men held their fists high, eyes gazing straight ahead, firm, expectant, and trembling behind the fence, observing how their daughters, wives, girlfriends, sisters, mothers - their women- took flight with their own fists held high, wails suppressed in their throats.
That song had been written and was in every mind, subtly flooding that arid time and space we were experiencing with loving melodies of struggle. It is the most suffering, most painful, true, symbolic and freedom-loving song I have ever heard in the vast and implacable silence.
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Published on: 13 January 2015
Related testimonies:
- Filistoque's Cueca (Cueca del Filistoque) Víctor Canto Fuenzalida, Campamento de Prisioneros Chacabuco, June 1974
Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation.
- Lucky Devil (El suertúo) Luis Cifuentes Seves, Campamento de Prisioneros Chacabuco, November 1973 - February 1974
This
cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. - A Cocky Fellow (El puntúo) Luis Cifuentes Seves, Campamento de Prisioneros Chacabuco, November 1973 - February 1974
This
cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. - The Crux of the Matter (La madre del cordero) Servando Becerra Poblete, Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.
- The Crux of the Matter (La madre del cordero) Servando Becerra Poblete, Campamento de Prisioneros, Estadio Nacional, 9 November 1973 - 10 November 1974
I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.
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