Cantos Cautivos
159 results where found for «After the War»
- Music piece by:Antônio Marcos. Popularised in Chile by Claudio Reyes
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- Tags:
- « My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
- [...]
- « In the afternoon they watched the soap opera 'A la sombra del ángel' ('In the shadow of the angel'), which played a song called 'La tarde está llorando' ('The afternoon is crying'). I listened to that song for 11 days. »
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- Music piece by:Pedro Humire Loredo
- Testimony by:Pedro Humire Loredo
- Experience in:Tenencia de Carabineros Nueva España, Población San Gregorio, September 1973
- Tags:
- « This
tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »- [...]
- « After dark, they brought more detainees and then proceeded to brutally beat them up. I heard the police tell these prisoners that they had to take them into the neighbourhood and show them where the other
upelientos or leaders were. »- [Read full testimony]
- Music piece by:Claudio Durán Pardo
- Testimony by:Claudio Enrique Durán Pardo
- Experience in:Campamento de Prisioneros, Tres Álamos, September - December 1975
- Tags:
- « I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
- [...]
- « I had been kidnapped and imprisoned for at least eight months when the following occurred. Bored and desolate, I’d go out onto the narrow courtyard in the afternoon and play the quena, always improvising melodies: long notes, silences. . . staccato notes and then longer notes. . . perhaps a huayno. »
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- Music piece by:Joan Manuel Serrat
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
- Tags:
- « Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
- [...]
- « There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
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- Music piece by:Claudio Iturra (lyrics) and Sergio Ortega (music)
- Testimony by:Lucía Chirinos
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
- Tags:
- « The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. 'I'll lend it to you' he said. »
- [...]
- « Learning all these songs on the accordion turned out to be a rather tiring task, all the more so since I could only do it in the afternoons when the girlies went to watch their beloved soap operas. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
- Tags:
- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
- [...]
- « Other women drew, knitted or played volleyball. It was a space that allowed us to get out of there for a bit. It was expected that I would musicalise the afternoons. »
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- Music piece by:Chicho Sánchez Ferlosio. Popularized by Quilapayún
- Testimony by:Claudio Melgarejo
- Experience in:Comisaría de Concepción, November 1973
- Tags:
- « I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
- [...]
- « After my imprisonment in the police station in Concepción, I was required to sign in at the prison at 70 Chacabuco Street (Concepción Prison/El Manzano Prison) for the next five years. There I was tortured. They would take me away in a vehicle, with a hood over my head, and I would be found in the street at dawn. »
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- Music piece by:José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
- Testimony by:Marianella Ubilla
- Experience in:Campamento Prisioneros Estadio Regional, Christmas 1973
- Tags:
- « I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
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- « After Christmas, I was taken to Fort Borgoño in Talcahuano. There I just heard screams and bayonets. »
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- Music piece by:Nicolás Guillén (lyrics) and Quilapayún (music)
- Testimony by:Domingo Lizama
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, 1973 - 1978
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