Cantos Cautivos
99 results where found for «#Music piece from Bolivia»
I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)
- Music piece by:Facundo Cabral, with lyrics modified by a political prisoner
- Testimony by:Alfonso Padilla Silva
- Experience in:Campamento Prisioneros Estadio Regional, 25 December 1973
- Tags:
- « The choir of male prisoners sang a piece called 'A mi compañera' (To my comrade, my love) to the music of 'No soy de aquí, ni soy de allá' (I'm not from here, nor from there) by Facundo Cabral. »
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- Music piece by:Jorge Peña Hen
- Testimony by:María Fedora Peña
- Experience in:Cárcel de la Serena, October 1973
- Tags:
- « 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
- [...]
- « I took the tiny piece of paper that had been meticulously folded, on which one could make out snippets of musical staves and some notes. Without opening it, I brought the paper to my nose. Closing my eyes, I breathed in deeply, and I felt my father’s scent permeate my soul. »
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- Music piece by:José Ángel Espinoza, aka Ferrusquillo
- Testimony by:Marcia Scantlebury
- Experience in:Campamento de Prisioneros Cuatro Álamos, June 1975
- Tags:
- « Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
- [...]
- « Since Miriam also liked music, one of the activities we planned was to spend the afternoons singing. On a piece of toilet paper I copied down the words to the song 'Échame a mí la culpa', so she could learn it and then we could sing it together. »
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- Music piece by:Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
- Testimony by:Víctor Canto Fuenzalida
- Experience in:Campamento de Prisioneros Chacabuco, June 1974
- Tags:
- « Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
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- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. »
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- Music piece by:Violeta Parra
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
- [...]
- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. »
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- Music piece by:Tito Fernández
- Testimony by:Servando Becerra Poblete
- Experience in:Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
- Tags:
- « I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
- [...]
- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. »
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- Music piece by:Liborio Bórquez Guzmán, popularised by Héctor Pavez
- Testimony by:Rubén Torres Ávila
- Experience in:
- Tags:
- « When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
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- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. The cueca chilota comes from Chiloé Island, in southern Chile. »
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- Music piece by:Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This
cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »- [...]
- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. »
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- Music piece by:Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This
cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »- [...]
- « Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. »
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- Music piece by:Claudio Iturra (lyrics) and Sergio Ortega (music)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
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- « That’s how we found out about the things that were going on. It was a radio shared by the whole prisoner community so we’d play music that we could all listen to. I wasn’t able to listen to the type of music I would have preferred at times, such as classical music. »
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