Cantos Cautivos
107 results where found for «#Music as torture»
- Music piece by:Jorge Peña Hen
- Testimony by:Eliseo González
- Experience in:Cárcel de la Serena, October 1973
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Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »- [...]
- « In Corridor Two (known as 'the cancer ward' because that’s where all of us who had been tortured were held) we did not listen to music. »
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- Music piece by:Violeta Parra
- Testimony by:Gabriela Durand
- Experience in:
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- « I was 18, and already I had been tortured on the
parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »- [Read full testimony]
- Music piece by:Claudio Iturra (lyrics) and Sergio Ortega (music)
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
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- « I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
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- « That’s how we found out about the things that were going on. It was a radio shared by the whole prisoner community so we’d play music that we could all listen to. I wasn’t able to listen to the type of music I would have preferred at times, such as classical music. »
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- Music piece by:Violeta Parra
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
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- « We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
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- « It is hard to conceive of a day without music. For me music is to spend all day with my headphones on, listening to different kinds of music. »
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- Music piece by:Luis Advis
- Testimony by:Alfonso Padilla
- Experience in:
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- « Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
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- « This experience showed us the undoubted force that art has, mostly – in the case of music – those pieces, works or songs of popular, traditional or classical music that, bring masterly together a profound text, with appropriate music and an enormous dose of humanism. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
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- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
Nueva Canción , especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »- [...]
- « The music had the purpose of covering the screams and the hubbub. Anyone in the vicinity would have taken notice of this music playing all day. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
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- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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- « More than one guard asked us 'how is the music?'. 'Oh', I would say, 'well'. I understood that it meant 'I like your music' or 'good that you play the guitar'. »
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- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
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- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
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- « 'Se escucha muy lejos' (You Hear It from Far Away), was the title of the song. The lyrics and the music, driven by the instruments, gave life to a song that departed from the traditional music of the Chilean left of the time. »
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- Music piece by:Piotr Ilich Tchaikovski
- Testimony by:Carmen Espinoza Alegría
- Experience in:Colonia Dignidad, April 1975
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- « When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia. »
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- « When they took us to interrogations with our eyes covered and a hood on our head, they played classical music that hypnotised us. Later, when speaking to a comrade, he told me that the music was Swan Lake, a ballet by
Tchaikovsky . »- [Read full testimony]
The Dead Man Won't Be Pinned on Me (Ese muerto no lo cargo yo)
- Music piece by:Graciela Arango de Tobón, popularised in Chile by Giolito y su Combo, and by Los Vikings 5
- Testimony by:Joaquín Real Hermosilla
- Experience in:
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- « From that troubled time, I would like to remember an activity that kept us active during the harsh confinement in Las Bandurrias. It is about music, an artistic expression that revealed the talent of several political prisoners and allowed us to endure the confinement for almost six months. »
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- « Colombian music genre and dance, with roots in European, Indigenous and African music traditions. »
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- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
- « I was 18, and already I had been tortured on the
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